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By 1954, the Mambo craze Prado sparked entitled him to the luxury of a serious project, namely his four-part Voodoo Suite, which called on the talents of such Hollywood jazz session greats as trumpeters M. Ferguson, Shorty Rogers, and drummer Eddie Gomez. Eight years later, Prado recorded his seven-part Exotic Suite Of The Americas with a full orchestra and many of New York's jazz session elite.